“I additionally had possibilities to generate trips and you may satisfy of several mail artisans when i decided to go to European countries (1987), North america (1989), and once again European countries (1990). I’d an extremely other sense, because the yourself I occupy myself from the while making and organizing works of art, and you can read a lot thanks to fellowship along with other artists. Specific post musicians and artists live a very sheer life style, anyone else was most responsive to tranquility global. So there had been individuals who was basically prepared to comprehend their artwork pieces on their extreme. All of them were not free from economic and you can political issues nor to postal communications, however they overcame those people trouble and remain which have a very positive thinking. I discovered the thoughts most distinct from that of Japanese. Tourism, I found as a result of my personal experience, has got the possibility to turn on looking at the globe that have artistic vision. It isn’t just in making a visit and you may sightseeing.”
Tohei Horiike, regarding Shimizu-Area, curated the exhibition, Ways Documentation ’77, for the Shizuoka Prefecture, to present it the following year in Nagoya
This particular article only has touched the outside into the noting the new effort out-of Japanese post musicians and artists so you’re able to link their geographical divide. Several Japanese music artists took part, with well over thirty-five contributing music tГјm zamanlarД±n en iyi tavlama cГјmlesi artists from overseas.